CRIME AND PUNISHMENT SELECTED ARTISTS
Emil Finnerud, Gabriella Forzelius, Peter Horneland, Kornelia Remø Klokk, Magne Strand Lyngvær, Katarina Skjønsberg and Renate Soleng, Adam Lewis Jacob, Grete Johanne Neseblod, Sport7000, Marius Presterud, David Dajani, Ofelia Jarl Ortega, Bjørn Erik Haugen, Nikoline Ursin Erichsen, Wetware Solutions, Anders Eiebakke and Grim Erland Svingen, Ingvild Danielsen, Katarina Caspersen, Ingrid Bjørnaali, Eli Maria Lundgaard
Denne utgaven av Pluss Pluss vil foregå på tre ulike steder; K4 Galleri, Black Box teater og Påfuglen. Se under for tid og sted:K4 Galleri, Københavngata 4B, 14 nov. 17.00-20.00. Video program:Adam Lewis Jacob, Magne Strand Lyngvær, Kornelia Remø Klokk, Ingrid K. Bjørnaali, Eli Maria Lundgaard, Katarina Skjønsberg, Renate SolengBlack Box teater, Marstrandgata 8, 14. nov. 19.00-00.00:Peter Horneland, Grete Johanne Neseblod, Emil Finnerud, Marius Presterud, Ofelia Jarl Ortega, Anders Eiebakke, Gabriella Forzelius, Bjørn Erik Haugen, Nikoline Ursin Erichsen, Magne Strand Lyngvær, Ingvild Danielsen, Katarina Caspersen, WETWARE SOLUTIONSPåfuglen, Hammersborggata 19, 14. nov. 00.00-03.00. Technofest:Sport 7000, David Dajani, Rabbit Brown
“Democracy dodders. Ferocious Fascism, cackling Communism, equally frauds, cavort crazily all over the globe. They are hemming us in. They are abortive births of the Child, the New Aeon of Horus. Liberty stirs once more in the womb of Time.” -Aleister Crowley, The Book of The Law
“I recognize in thieves, traitors and murderers, in the ruthless and the cunning, a deep beauty – a sunken beauty. ”―Jean Genet
Sam: (Sam complains about the crime situation in the city) You know, decent people are going to have to work here and live somewhere else.
Paul: By “decent people,” you mean people who can afford to live somewhere else.
Sam: Oh Christ, you are such a bleeding-heart liberal, Paul.
Paul: My heart bleeds a little for the underprivileged, yes.
-Death Wish (1974)
The old, global power-structures are seemingly, slowly overturning, transitory transformations that create chaos, break down homes, spawn criminal gangs in the suburbia, erupt violence, inflict punishing police brutality, giving birth to poverty and hatred. But in these ruins and chaotic transformations there is also a potentiality towards new aesthetical, social, ideological and political directions that look into the horizon towards a different age, one that is uncertain and unknown, freed from the punishment of our prisoners. It is out of this contemporary chaos that we create our own new individual and collective mythologies.
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